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Seville 2018

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Hot docs EFP inside

68 articles available in total starting from 19/01/2018. Last article published on 19/11/2018.

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Review: I See Red People

Review: I See Red People

BERLIN 2018: Bojina Panayotova investigates the past of her family in communist Bulgaria. A very creative documentary, which is as serious as it is amusing  

23/02/2018 | Berlinale 2018 | Panorama Dokumente

Review: When the Trees Fall

Review: When the Trees Fall

BERLIN 2018: Marysia Nikitiuk’s first film is intense and full of vitality, just like the life of a teenager  

23/02/2018 | Berlinale 2018 | Panorama

Review: Touch Me Not

Review: Touch Me Not

BERLIN 2018: Adina Pintilie breaks new ground by playing with fiction and reality in her challenging first feature  

23/02/2018 | Berlinale 2018 | Competition

Review: Infinite Football

Review: Infinite Football

BERLIN 2018: Corneliu Porumboiu’s deceptive documentary about football is a relevant discussion about a certain perspective on life  

19/02/2018 | Berlinale 2018 | Forum

Review: Dovlatov

Review: Dovlatov

BERLIN 2018: Aleksei German Jr returns with a retrograde portrait of the 1970s-era Soviet Union that says nothing new  

18/02/2018 | Berlinale 2018 | Competition

Review: Wandering Star

Review: Wandering Star

With his second film, Spaniard Alberto Gracia drifts through ghostly places inhabited by individuals addicted to audiovisual stimuli  

31/01/2018 | IFFR 2018 | Bright Future

Review: Pity

Review: Pity

Greek filmmaker Babis Makridis delivers his sophomore feature, a bleak, deadpan comedy that plays with the theme of sorrow in an absurdly realistic environment  

20/01/2018 | Sundance 2018 | World Cinema Dramatic Competition

Babis Makridis • Director of Pity

Interview: Babis Makridis • Director of Pity

“In my next movie, everyone will smile constantly!”

We sat down with Greek writer-director Babis Makridis to talk about his sophomore feature, Pity  

19/01/2018 | Sundance 2018 | World Cinema Dramatic Competition

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